Renaissance

Download PDF by Jyotsna G. Singh: A companion to the global Renaissance : English literature

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By Jyotsna G. Singh

ISBN-10: 1405154764

ISBN-13: 9781405154765

That includes twenty one newly-commissioned essays, A better half to the worldwide Renaissance: English Literature and tradition within the period of Expansion demonstrates how brand new globalization is the results of a posh and long historic method that had its roots in England's mercantile and cross-cultural interactions of the 16th and 17th centuries.

  • An cutting edge assortment that interrogates the worldwide paradigm of our interval and gives a brand new heritage of globalization by way of exploring its impacts on English tradition and literature of the early smooth period.
  • Moves past conventional notions of Renaissance heritage frequently as a revival of antiquity and provides a brand new point of view on England's mercantile and cross-cultural interactions with the recent and previous Worlds of the Americas, Africa, and the East, in addition with Northern Europe.
  • Illustrates how twentieth-century globalization was once the results of a long and complicated old strategy associated with the emergence of capitalism and colonialism
  • Explores very important issues reminiscent of East-West family and Islam; visible representations of cultural 'others'; gender and race struggles in the new economies and cultures; worldwide drama at the cosmopolitan English degree, and plenty of more

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Additional resources for A companion to the global Renaissance : English literature and culture in the era of expansion

Example text

Malta, as Vaughan reminds us, was regarded as “a liminal space, where a broad cross-section of cultures, religions, and nationalities mingled and struggled for domination” in the sixteenth and seventeenth centuries. In his representation of Jews in Malta, for instance, Marlowe draws on both negative and positive associations, as collaborators with the Turkish enemy and as defenders of Europeans in his portrayal of Barabas. ” Whether depicting tragic scapegoats or comic butts for jokes, English Renaissance drama frequently deployed figures of “otherness” – outsiders – who evoked social, cultural, and religious anxieties in an expanding world.

3 But there is also a danger: pulling one’s head inside the hard, protective shell of “material culture” can become a means of employing historicist procedures in a way that avoids the big problems attending on large-scale questions of politics and ideology. ” At best, this kind of materialist criticism does succeed in placing micro-material histories within a larger critique of ideology that engages with “big picture” historical narratives about class, gender, and race. But the risk is that it may dwindle into a petty antiquarianism, a flight from history writ large, and the end of politics.

Berkeley: University of California Press, 1988. Matar, Nabil. Turks, Moors, and Englishmen in the Age of Discovery. New York: Columbia University Press, 1999. Jyotsna G. Singh 27 Okada, Amina. Indian Miniatures of the Mughal Court, trans. Deke Dusinberre. New York: Harry N. , 1992. Poster, Mark. Foucault, Marxism, and History: Mode of Production versus Mode of Information. Cambridge: Polity, 1984. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992. Sebek, Barbara and Stephen Deng, eds.

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A companion to the global Renaissance : English literature and culture in the era of expansion by Jyotsna G. Singh


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