Leslie Ellen Brown's Artful Virtue: The Interplay of the Beautiful and the Good PDF
By Leslie Ellen Brown
In the course of the Scottish Enlightenment the connection among aesthetics and ethics grew to become deeply ingrained: attractiveness was once the practical manifestation of advantage; the wonderful arts represented the activities of a virtuous brain; to deeply comprehend crafty and usual good looks was once to spot with ethical attractiveness; and the classy event was once critical in making price judgments. This ebook finds the background of ways the Scots utilized the tremendous panorama of ethical philosophy to the categorical territories of attractiveness - in nature, aesthetics and ethics - within the eighteenth century. the writer explores a wide selection of resources, from educational lectures and institutional list, to extra renowned texts resembling newspapers and pamphlets, to teach how the concept attractiveness and artwork made participants and society extra virtuous used to be increased and understood in Scottish society.
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Additional resources for Artful Virtue: The Interplay of the Beautiful and the Good in the Scottish Enlightenment
9 Just as beauty correlates with virtue, deformity allies with vice, and Hume illustrates such connections in his famous essay on taste: literary works, such as those of Homer and the Greek tragedians that are vague in matters of virtue and vice and draw inhumane or indecent characters, merit our censure. Deformity in a work of art clearly suggests a lack of moral judgment. The fortunes and feelings of crude heroes hold no interest, and confusing the line between good and evil never pleases. 10 Hume does accept that as individuals persons may differ in their sentiments, but moral principles are not matters of speculation and not readily overturned.
Adam Ferguson (1723-1816)—historian, professor of pneumatics and moral philosophy at Edinburgh, and an early powerful voice for the modern social sciences—correlated the elevation of sentiment and liberality of thought with an uplifting of the mind through a call for public virtue. Like Turnbull, he prominently positions the arts and the artist in this endeavor, praising those professions which require knowledge, education, and practice and which use the imagination. 29 Again like Turnbull, he identifies the forms of art as valuable tools for setting a high moral tone.
42 Artful Virtue 40 That we can be so intensely moved suggests another paradox: instead of avoiding painful impressions, we seek them out as points of satisfaction. In the business of tragic theater we even feel pleasure. Kames explains how this works: The social passions, put in motion by it [tragedy], are often the occasion of distress to the spectators. But our nature is so happily constituted, that distress, occasioned by the exercise of the social passions, is not an object of the smallest aversion to us, even when we reflect coolly and deliberately upon it.
Artful Virtue: The Interplay of the Beautiful and the Good in the Scottish Enlightenment by Leslie Ellen Brown